Melbourne based Sound Designer/Composer/Music Director. She has been immersed in music and theatre studying Music Theatre and a Bachelor of Fine Arts in Interactive Composition at the Victorian College Of The Arts, also completing a Diploma of Music at MWT Institute. She has also completed one year courses of musical Theatre at Victorian College Of The Arts and Showfit. Her other involvements in theatre include accompanist, orchestrator, and sound operator/technician.
In 2017 Kellie-Anne was the recipient of the Women In Theatre Program presented by Melbourne Theatre Company, one of fourteen women from each department of production, she was selected as Sound Designer/Composer. She' is also a recipient of the Besen Family Artist Program 2019 with Malthouse Theatre for Sound Design.
Sound Design/Composer credits include Batmania (The Very Good Looking Initiative), Sneakyville (Before Shot), Twink Ascending (Don't Be Down), Wages Of Fear (Mechanics), Cuckoo's Nest (ATC), and Tropfest finalist 2018 film, PaperCut, directed by Virginia Gay. Observation credits include Vivid White (Melbourne Theatre Company) and Cloudstreet (Malthouse).
Musical Director director/orchestrator credits include Sonder: Beyond Blue Charity (Sonder TC), Elegies For Angels, Punks And Raging Queens (Underscore Productions), Spring Awakening (Pep Productions) and various charity concerts across Melbourne and Victoria.
Operating/sound technician credits include Double Denim Adventure Show (Hey Boss), Late’N’Live (Guilded Balloon Presents…), Princess Party (Princess Party), Teenage Kicks (Stamptown), Kong’s Kings - Drag King Event @ Howler, Worst Little Warehouse In London (Joe C Brown), Father Figure and Twink Ascending (Don’t Be Down), Wages Of Fear (Mechanics).